Month: November 2025

Sonnet LIX: Love’s Last Gift

  1. Things to Do in the Belly of the Whale
  2. From Blossoms
  3. Wild Geese
  4. The Peace of Wild Things
  5. My Gift to You
  6. Departing Spring
  7. The Skylark
  8. What a Strange Thing!
  9. Although The Wind …
  10. The Old Pond
  11. Spring Is Like A Perhaps Hand
  12. Hast thou 2 loaves of bread …
  13. Youth and Age
  14. A Postcard From the Volcano
  15. The Kraken
  16. He wishes for the Cloths of Heaven
  17. There Is a Solitude of Space
  18. Because I Could Not Stop for Death
  19. Mad Song
  20. Answer July
  21. Success Is Counted Sweetest
  22. Hope Is the Thing with Feathers
  23. The Bluebird
  24. A Vision of the End
  25. The Crying of Water
  26. A Rose Has Thorns As Well As Honey
  27. Winter
  28. The Dark Cavalier
  29. There is no Life or Death
  30. Sheep in Winter
  31. To a Snowflake
  32. Sextain
  33. A Crocodile
  34. Sea Fever
  35. The Giant Cactus of Arizona
  36. The Coming of Night
  37. Going to the Picnic
  38. Moon Tonight
  39. A Southern Night
  40. Greenness
  41. Twilight
  42. On the Wing
  43. In Summer
  44. Before Parting
  45. Sonnet
  46. The Red Wheelbarrow
  47. Acceptance
  48. At The Pool
  49. Incurable
  50. Bluebird and Cardinal
  51. [Say What You Will, And Scratch My Heart To Find]
  52. The River
  53. Vas Doloris
  54. Squirrel
  55. Ghosts
  56. The Spirit of Poetry
  57. Nightfall in the Tropics
  58. Journey of the Magi
  59. The City Lights
  60. January
  61. Winter Night
  62. My Heart Has Known Its Winter
  63. Things Said When He Was Gone
  64. Jabberwocky
  65. Expectancy
  66. Surrender
  67. At the Mid Hour of Night
  68. Fog
  69. The Things I Love
  70. Spring
  71. The Earth-Child in the Grass
  72. The Rivals
  73. A Line-storm Song
  74. To the Daisy
  75. It sifts from Leaden Sieves
  76. The Unquiet Grave
  77. In Summer Time
  78. Wine of Summer
  79. The Alchemist
  80. A Serenade
  81. Meeting Ourselves
  82. Early Waking
  83. Sir Walter Raleigh to His Son
  84. Art
  85. Freedom and Truth
  86. Sonnet LIX: Love’s Last Gift
  87. Fate
Waterlilies

 Love to his singer held a glistening leaf,
     And said: “The rose-tree and the apple-tree
     Have fruits to vaunt or flowers to lure the bee;
And golden shafts are in the feathered sheaf
Of the great harvest-marshal, the year’s chief,
     Victorious summer; aye, and ’neath warm sea
     Strange secret grasses lurk inviolably
Between the filtering channels of sunk reef.  


All are my blooms; and all sweet blooms of love
     To thee I gave while Spring and Summer sang;
     But Autumn stops to listen, with some pang
From those worse things the wind is moaning of.
     Only this laurel dreads no winter days:
     Take my last gift; thy heart hath sung my praise.


Dante Gabriel Rossetti (1828 – 1882) was an English poet, illustrator, painter, and translator, who helped found the Pre-Raphaelite Brotherhood.


To read more poems, click here.


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My New Photo Project: A Desert of Waves, a Wilderness of Water

This abstract photo of sea waves, captured using the Intentional Camera Movement (ICM) technique, presents a fluid, impressionistic view of the ocean. The image features horizontal streaks of deep blue and soft grey tones, blending seamlessly to mimic the motion of waves. The blurred effect creates a silky, almost liquid texture, with lighter patches of sunlight reflections. The colors shift subtly across the frame, evoking the ebb and flow of the tide in a dreamy, artistic manner, capturing the essence of the sea's movement on that September late afternoon.

Today I want to offer you an insight into one of my recent photo projects for a change. “A Desert of Waves, A Wilderness of Water” is a series of 13 abstract seascapes I created using the Intentional Camera Movement (ICM) technique. Thunderous seas turn into liquid silk. 

A few weeks ago, I dreamed about huge waves crashing thunderously on a rugged beach. The full moon, high in the pitch-black sky, illuminated an alien landscape. 

No trees or shrubs, no dwellings, no boats. No people. No animals or birds (I knew this in my dream). An utterly deserted landscape, devoid of any life. Nothing but the huge rocks and the surf glittering like tiny diamonds in the moonshine. Nothing but the endless rumbling of the waves and the cold silvery moon. “A desert of waves, a wilderness of water” (Langston Hughes). 

The dream made such an impression on me that it haunted me for several days. I couldn’t get that desolate landscape out of my mind. So, I did what any artist would do: set to work. I wanted to capture that landscape in my mind in a series of photos, and I knew it wouldn’t be realistic photos from the beginning. The atmosphere called for something else.

As luck would have it, we live by the sea. So every day, I would go down to the beach and experiment with ICM (Intentional Camera Movement). The light, the color of the sea, the clouds, they all factor in. I knew how I wanted the photos to look like; I tested different settings and motions; I learned patience. And got the photos I wanted.

This abstract photo captures sea waves using the Intentional Camera Movement (ICM) technique, resulting in a dynamic, flowing composition. The image features swirling patterns of blue and grey tones, with soft, overlapping waves that create a sense of continuous motion. The blurred effect eliminates distinct edges, giving the photo an ethereal, almost fabric-like texture. The varying shades of blue deepen toward the edges, enhancing the illusion of waves rippling across the frame, evoking a hypnotic and serene oceanic movement.

When I move the camera during 0.5 to 2 second exposures, the energy of the sea becomes pure color, rhythm, and texture. Sharp horizons, foam crests, and clear wave shapes disappear. What’s left are flowing, painterly images that feel more like silk, smoke, or desert dunes than water.

The colors are subtle but bright. Deep indigos and cool steel-greys fill the shadows. Warm amber and burnt orange, reflected from sunlit rocks, shine through the lower layers like fire under ice. Blurred, overlapping strokes give a hypnotic sense of constant motion, like a tide that never ends. Edges fade, shapes blend, and the sea feels weightless and soft, almost like fabric.

I took these photos along the coast, a stone’s throw from our house, during the calm hours of dawn and dusk. Each image is a single in-camera exposure. There is no digital painting, no layering, and no added blur afterward. No AI (it’s sad you have to say this these days). What you see is exactly what the moving lens captured in that brief moment.

The title shows the main paradox: a desert made of waves, a wilderness made only of water, mixing dryness with wetness and emptiness with movement. This series invites you to move beyond literal images. Instead, it encourages you to feel the ocean’s rhythm, offering an abstract look at movement, light, and the beauty of letting go.

This abstract photo captures sea waves using the Intentional Camera Movement (ICM) technique, resulting in a mesmerizing, fluid composition. The image features smooth, concentric streaks of blue and grey tones, creating a sense of motion and depth, as if the waves are swirling in a circular pattern. The blurred effect eliminates sharp details, giving the photo a dreamlike, almost painterly quality. The darker shades at the edges gradually lighten toward the center, enhancing the illusion of waves rippling outward, evoking a serene yet dynamic oceanic scene.

Origin of the Phrase “A Desert of Waves, A Wilderness of Water”

The phrase originates from the poem “Long Trip” by the renowned African American poet Langston Hughes (1901–1967). It was first published in 1926 as part of his seminal collection “The Weary Blues”. The full poem reads:

The sea is a wilderness of waves,  

A desert of water.  

We dip and dive,  

Rise and roll,  

Hide and are hidden  

On the sea.  

Day, night,  

Night, day,  

The sea is a desert of waves,  

A wilderness of water.

This evocative imagery captures the vast, untamed expanse of the ocean, evoking themes of isolation, rhythm, and perpetual motion that are recurrent in Hughes’s work, particularly in pieces inspired by his experiences near waterfronts and as a young seaman. The poem reflects the Harlem Renaissance era’s exploration of African American identity and the natural world’s metaphors for human endurance.


As an artist, you’re always struggling to create the vision in your mind in whatever medium you’re working in, only to fail when you do – more often than not. But this was one of these dream projects where I didn’t fail. I love how the photos turned out. 

You can see the rest of the photos in my photo gallery and buy prints in my online shop if you like them too.


Related Posts


Love my work? Support my journey by buying me a coffee or sharing it on your preferred social network. And don’t forget to swing by my online shop to check out my latest prints and gifts. Thank you 🙏 !

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A Moment Gone Forever

Shadows of a lace curtain on a wall

What I like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.

Karl Lagerfeld (1933 – 2019) was a German fashion designer, photographer, and creative director, best known as the creative power behind the modern revival of Chanel.


To read more quotes, click here.


Love my work? Support my journey by buying me a coffee or sharing it on your preferred social network. And don’t forget to swing by my online shop to check out my latest prints and gifts. Thank you 🙏 !

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Freedom and Truth

  1. Things to Do in the Belly of the Whale
  2. From Blossoms
  3. Wild Geese
  4. The Peace of Wild Things
  5. My Gift to You
  6. Departing Spring
  7. The Skylark
  8. What a Strange Thing!
  9. Although The Wind …
  10. The Old Pond
  11. Spring Is Like A Perhaps Hand
  12. Hast thou 2 loaves of bread …
  13. Youth and Age
  14. A Postcard From the Volcano
  15. The Kraken
  16. He wishes for the Cloths of Heaven
  17. There Is a Solitude of Space
  18. Because I Could Not Stop for Death
  19. Mad Song
  20. Answer July
  21. Success Is Counted Sweetest
  22. Hope Is the Thing with Feathers
  23. The Bluebird
  24. A Vision of the End
  25. The Crying of Water
  26. A Rose Has Thorns As Well As Honey
  27. Winter
  28. The Dark Cavalier
  29. There is no Life or Death
  30. Sheep in Winter
  31. To a Snowflake
  32. Sextain
  33. A Crocodile
  34. Sea Fever
  35. The Giant Cactus of Arizona
  36. The Coming of Night
  37. Going to the Picnic
  38. Moon Tonight
  39. A Southern Night
  40. Greenness
  41. Twilight
  42. On the Wing
  43. In Summer
  44. Before Parting
  45. Sonnet
  46. The Red Wheelbarrow
  47. Acceptance
  48. At The Pool
  49. Incurable
  50. Bluebird and Cardinal
  51. [Say What You Will, And Scratch My Heart To Find]
  52. The River
  53. Vas Doloris
  54. Squirrel
  55. Ghosts
  56. The Spirit of Poetry
  57. Nightfall in the Tropics
  58. Journey of the Magi
  59. The City Lights
  60. January
  61. Winter Night
  62. My Heart Has Known Its Winter
  63. Things Said When He Was Gone
  64. Jabberwocky
  65. Expectancy
  66. Surrender
  67. At the Mid Hour of Night
  68. Fog
  69. The Things I Love
  70. Spring
  71. The Earth-Child in the Grass
  72. The Rivals
  73. A Line-storm Song
  74. To the Daisy
  75. It sifts from Leaden Sieves
  76. The Unquiet Grave
  77. In Summer Time
  78. Wine of Summer
  79. The Alchemist
  80. A Serenade
  81. Meeting Ourselves
  82. Early Waking
  83. Sir Walter Raleigh to His Son
  84. Art
  85. Freedom and Truth
  86. Sonnet LIX: Love’s Last Gift
  87. Fate
Black and white photo of a group of people standing in front of the clock window at the Orsay Museum in Paris, France

The shrine is vowed to freedom, but, my friend, 
Freedom is but a means to gain an end. 
Freedom should build the temple, but the shrine 
Be consecrate to thought still more divine. 
The human bliss which angel hopes foresaw 
Is liberty to comprehend the law. 
Give, then, thy book a larger scope and frame, 
Comprising means and end in Truth’s great name.

Margaret Fuller (1810 – 1850), sometimes referred to as Margaret Fuller Ossoli, was an American journalist, editor, critic, translator, and women’s rights advocate associated with the American transcendentalism movement. She was the first American female war correspondent and full-time book reviewer in journalism. Her book Woman in the Nineteenth Century is considered the first major feminist work in the United States.


To read more poems, click here.


Love my work? Support my journey by buying me a coffee or sharing it on your preferred social network. And don’t forget to swing by my online shop to check out my latest prints and gifts. Thank you 🙏 !

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Favorite Photos: October 2025

  1. Favorite Photos: January 2023
  2. Favorite Photos: February 2023
  3. Favorite Photos: March 2023
  4. Favorite Photos: April 2023
  5. Favorite Photos: May 2023
  6. Favorite Photos: June 2023
  7. Favorite Photos: July 2023
  8. Favorite Photos: August 2023
  9. Paris Is Always A Good Idea
  10. Favorite Photos: October 2023
  11. Favorite Photos: November 2023
  12. Favorite Photos: December 2023
  13. Favorite Photos: January 2024
  14. Favorite Photos: February 2024
  15. Favorite Photos: March 2024
  16. Favorite Photos: April 2024
  17. Favorite Photos: May 2024
  18. Favorite Photos: June 2024
  19. Favorite Photos: July 2024
  20. Favorite Photos: August 2024
  21. Favorite Photos: September 2024
  22. Favorite Photos: October 2024
  23. Favorite Photos: November 2024
  24. Favorite Photos: December 2024
  25. Favorite Photos: January 2025
  26. Favorite Photos: February 2025
  27. Favorite Photos: March 2025
  28. Favorite Photos: April 2025
  29. Favorite Photos: May 2025
  30. Favorite Photos: June 2025
  31. Favorite Photos: July 2025
  32. Favorite Photos: August 2025
  33. Favorite Photos: September 2025
  34. Favorite Photos: October 2025
  35. Favorite Photos: November 2025 Scheduled for 2nd December 2025
  36. Favorite Photos: December 2025 Scheduled for 7th January 2026
This macro photo showcases a close-up of grass blades adorned with glistening water drops in the morning sun. The delicate green blades, tipped with tiny, crystal-clear droplets, sparkle with a rainbow-like sheen as the early light refracts through them, highlighting their fine texture and subtle veins. Each drop magnifies the grass beneath, creating miniature worlds of refracted color, while the sunlight casts soft shadows that add depth. The background is a creamy blur of out-of-focus greenery, the gentle mist enhancing the ethereal glow and drawing attention to the intricate beauty of this dewy, sun-kissed scene.

I took this macro photo of grass blades covered in sparkling water drops in the morning sun at the small lake near our house. This is the same place where I had photographed the four-spotted chaser and the ruddy darters before.

In fact, I was waiting for the dragonflies to start flying since they weren’t out yet when I arrived at the lake, and amused myself by taking a few macro shots (always optimizing my time, he, he!).


This photo features a red squirrel (Sciurus vulgaris) standing proudly on a tree stump in a forest clearing. The squirrel’s rich reddish-brown fur glows under the midday sunlight filtering through the pine canopy, its bushy tail held high as it balances on the yree stump. Its bright black eyes sparkle with curiosity, and its whiskers catch the light, adding a delicate detail to its poised stance. The background is a soft blur of green ferns and shadowy tree trunks, with a hint of mist lending a serene, magical ambiance to this charming woodland scene.

The little acrobat 😍 a red squirrel (Sciurus vulgaris) balancing elegantely on a tree stump. As colder weather sets in and days grow shorter, squirrels are returning to our garden to seek nuts and seeds from the bird feeders.

The image captures an autumnal scene featuring a red squirrel (Sciurus vulgaris) perched among several pumpkins. One of the pumpkins has been carved into a traditional jack-o'-lantern with a triangular-eyed, smiling face. The ground and surrounding area are covered in fallen autumn leaves in various shades of yellow and orange. There are also leaves in the background that appear to be falling or floating, which contributes to the overall autumn atmosphere. The lighting gives the scene a warm, golden glow, enhancing the seasonal feel of the image.
This photo features a red squirrel (Sciurus vulgaris) curiously interacting with a striped orange pumpkin in a grassy clearing. The squirrel, with its vibrant reddish-brown fur and bushy tail held high, stands on its hind legs, extending a tiny paw toward the pumpkin as if inspecting or claiming it, its bright black eyes wide with intrigue. The pumpkin's textured, tiger-striped skin contrasts with the squirrel's fluffy coat, and the soft morning light casts a gentle glow, highlighting the dew on the grass. The background is a dreamy blur of green and orange foliage, adding a whimsical, autumnal charm to this enchanting woodland encounter.

Even the squirrels were preparing for Halloween 😉!

The image captures a red squirrel (Sciurus vulgaris) clinging to the side of a tree. The squirrel, with its reddish-brown fur and bushy tail, is positioned on the right side of the tree trunk, climbing the tree with a mushroom in its mouth. The tree trunk is rugged and covered in lichen, adding texture to the composition. The background is a soft, blurred green, hinting at foliage and a forest setting. The lighting is soft and diffused, highlighting the squirrel's fur and the details of the tree bark.

Another squirrel, photographed during our trip in Northern Sweden, on the same day I photographed the lynx. It had found a mushroom and was running up the tree with its prize.


📸 All photos were taken with Canon R5 Mark II & Canon RF100-500mm F4.5-7.1 L IS USM.


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Love my work? Support my journey by buying me a coffee or sharing it on your preferred social network. And don’t forget to swing by my online shop to check out my latest prints and gifts. Thank you 🙏 !

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