Month: March 2026

The Dreamer

  1. Things to Do in the Belly of the Whale
  2. From Blossoms
  3. Wild Geese
  4. The Peace of Wild Things
  5. My Gift to You
  6. Departing Spring
  7. The Skylark
  8. What a Strange Thing!
  9. Although The Wind …
  10. The Old Pond
  11. Spring Is Like A Perhaps Hand
  12. Hast thou 2 loaves of bread …
  13. Youth and Age
  14. A Postcard From the Volcano
  15. The Kraken
  16. He wishes for the Cloths of Heaven
  17. There Is a Solitude of Space
  18. Because I Could Not Stop for Death
  19. Mad Song
  20. Answer July
  21. Success Is Counted Sweetest
  22. Hope Is the Thing with Feathers
  23. The Bluebird
  24. A Vision of the End
  25. The Crying of Water
  26. A Rose Has Thorns As Well As Honey
  27. Winter
  28. The Dark Cavalier
  29. There is no Life or Death
  30. Sheep in Winter
  31. To a Snowflake
  32. Sextain
  33. A Crocodile
  34. Sea Fever
  35. The Giant Cactus of Arizona
  36. The Coming of Night
  37. Going to the Picnic
  38. Moon Tonight
  39. A Southern Night
  40. Greenness
  41. Twilight
  42. On the Wing
  43. In Summer
  44. Before Parting
  45. Sonnet
  46. The Red Wheelbarrow
  47. Acceptance
  48. At The Pool
  49. Incurable
  50. Bluebird and Cardinal
  51. [Say What You Will, And Scratch My Heart To Find]
  52. The River
  53. Vas Doloris
  54. Squirrel
  55. Ghosts
  56. The Spirit of Poetry
  57. Nightfall in the Tropics
  58. Journey of the Magi
  59. The City Lights
  60. January
  61. Winter Night
  62. My Heart Has Known Its Winter
  63. Things Said When He Was Gone
  64. Jabberwocky
  65. Expectancy
  66. Surrender
  67. At the Mid Hour of Night
  68. Fog
  69. The Things I Love
  70. Spring
  71. The Earth-Child in the Grass
  72. The Rivals
  73. A Line-storm Song
  74. To the Daisy
  75. It sifts from Leaden Sieves
  76. The Unquiet Grave
  77. In Summer Time
  78. Wine of Summer
  79. The Alchemist
  80. A Serenade
  81. Meeting Ourselves
  82. Early Waking
  83. Sir Walter Raleigh to His Son
  84. Art
  85. Freedom and Truth
  86. Sonnet LIX: Love’s Last Gift
  87. Fate
  88. Night
  89. II [Doom is dark and deeper than any sea-dingle.]
  90. From “Fungi of Yuggoth” [XIV. Star-winds]
  91. Sun Song
  92. The Dreamer
Waves
The wave yearns at the cliff foot: its pale arms   
   Reach upward and relapse, like down-dropped hands;   
The baffled tides slip backward evermore,   
   And a long sighing murmurs round the sands . . .  


My heart is as the wave that lifts and falls:   
    Tall is the cliff—oh! tall as that dim star   
That crowns its summit hidden in a cloud—   
    Tall as the dark and holy heavens are.  


The sad strange wreckage of full many ships   
    Burdens the bitter waters’ ebb and flow:   
Gold diadems, like slowly falling flames,   
    Lighten the restless emerald gulfs below;  


And withered blossoms float, and silken webs,   
    And pallid faces framed in wide-spread hair,   
And bubble-globes that seethe with peacock hues,   
    And jewelled hands, half-open, cold and fair.  


Sea creatures move beneath: their swift sleek touch   
    Begets sweet madness and unworthy fire—   
Scaled women—triton-things, whose dark seal eyes   
    Are hot and bloodshot with a man’s desire.  


Their strange arms clasp: the sea-pulse in their veins   
    Beats like the surf of the immortal sea—   
Strong, glad and soulless: elemental joys   
    Bathe with green flame the sinking soul of me.  


Downward and down—to passionate purple looms,   
    Athrill with thought-free, blurred, insatiate life,   
Where the slow-throbbing sea-flow sways like weed   
    Dim figures blended in an amorous strife—  


I am enclasped, I sink; but the wave lifts,   
    With all its freight of treasure and of death,   
In sullen foamless yearning towards the height   
    Where the star burns above the vapour-wreath; 


And a deep sob goes up, and all the caves   
    Are filled with mourning and a sorrow-sound.   
The green fire fades: I rise: I see the star—   
    Gone are the triton arms that clipped me round. 
   
Hope beats like some lost bird against the cliff—   
    The granite cliff above the burdened wave,   
Whose fleeting riches are more desolate   
    Than gems dust-mingled in a nameless grave . . . 


When all the wordless thirsts of Time are slaked,   
    And all Earth’s yearning hungers sweetly fed,   
And the Sea’s grief is stilled, and the Wind’s cry,   
    And Day and Night clasp on one glowing bed—  


Oh! in that hour shall clay and flame be blent—   
    Love find its perfect lover, breast on breast—   
When dream and dreamer at the last are one,   
    And joy is folded in the arms of jest. 

Dulcie Deamer (1890 – 1972) was a New Zealand-born Australian novelist, poet, journalist, and actress.


To read more poems, click here.


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Book Review: My Name Is Red

Cover of the book My Name Is Red by Orhan Pamuk

Orhan Pamuk’s My Name is Red (1998, English translation 2001) is a postmodern murder mystery set in 16th-century Istanbul. The story centers on the investigation of a miniaturist’s murder during a period of tension between Islamic and Venetian art styles. As the mystery unfolds, the novel explores themes of art, love, and faith. The story is told from several perspectives, including inanimate objects, as the characters try to find a killer who threatens a secret artistic project.


Orhan Pamuk’s “My Name Is Red” weaves together history, art, and storytelling to show how art shapes identity during periods of change. First published in 1998, the novel transports readers to 16th-century Istanbul and explores the lasting effects of creativity and cultural exchange.

The story opens with the mysterious murder of Elegant Effendi, a skilled miniaturist in the Sultan’s workshop. This crime leads to an investigation that uncovers deeper conflicts within the art community. The Sultan’s request for a secret manuscript in a new Western style challenges the traditions of Islamic art, which values symbolism instead of realism. Pamuk tells the story through many voices, including artists, apprentices, the main character Black, and even objects like a tree, a horse, and the color red. This approach gives readers a range of perspectives, similar to the art featured in the novel.

At its core, “My Name Is Red” explores cultural conflict and the ways art evolves over time. The miniaturists are caught between the appeal of European realism, which values individuality, and the Ottoman tradition that emphasizes harmony and spiritual meaning. Pamuk conveys this struggle through detailed descriptions of the painting process, highlighting the careful work involved in illuminated manuscripts. As a photographer, I related to these scenes; the novel’s focus on small details reminds me of how photographers use light and composition to reveal deeper meaning. For example, the chapter told by red, “I am red,” reflects on how one color can represent passion, violence, and beauty, just as light and shadow can change a photograph.

The novel is not only thoughtful but also deeply emotional. Black’s romance with his cousin Shekure adds a personal layer and connects private feelings to broader societal changes. Pamuk’s writing, beautifully translated by Erdağ Göknar, brings Istanbul to life, from its busy streets to its grand palaces and quiet workshops. His careful research into Ottoman art and culture adds authenticity without slowing the story. These details make the mystery more engaging and turn the book into a suspenseful whodunit. Readers follow clues alongside the characters, guided by a well-constructed plot. “My Name Is Red” stands out for its strong ideas about how art shapes and preserves cultural identity. Pamuk’s look at artistic influence, especially in today’s connected world, encourages readers to consider what happens when societies change or hold on to tradition. The story moves at a steady pace, and this depth gives readers lasting insights into art and identity.

If you like historical fiction, mysteries, or art history, “My Name Is Red” is worth reading. It entertains and teaches, connecting Eastern and Western cultures with depth and style. This novel will make you think and stay with you long after you finish it.


Orhan Pamuk (b. 1952) is a Turkish novelist, screenwriter, academic, and recipient of the 2006 Nobel Prize in Literature.


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Favorite Photos: February 2026

  1. Favorite Photos: January 2023
  2. Favorite Photos: February 2023
  3. Favorite Photos: March 2023
  4. Favorite Photos: April 2023
  5. Favorite Photos: May 2023
  6. Favorite Photos: June 2023
  7. Favorite Photos: July 2023
  8. Favorite Photos: August 2023
  9. Paris Is Always A Good Idea
  10. Favorite Photos: October 2023
  11. Favorite Photos: November 2023
  12. Favorite Photos: December 2023
  13. Favorite Photos: January 2024
  14. Favorite Photos: February 2024
  15. Favorite Photos: March 2024
  16. Favorite Photos: April 2024
  17. Favorite Photos: May 2024
  18. Favorite Photos: June 2024
  19. Favorite Photos: July 2024
  20. Favorite Photos: August 2024
  21. Favorite Photos: September 2024
  22. Favorite Photos: October 2024
  23. Favorite Photos: November 2024
  24. Favorite Photos: December 2024
  25. Favorite Photos: January 2025
  26. Favorite Photos: February 2025
  27. Favorite Photos: March 2025
  28. Favorite Photos: April 2025
  29. Favorite Photos: May 2025
  30. Favorite Photos: June 2025
  31. Favorite Photos: July 2025
  32. Favorite Photos: August 2025
  33. Favorite Photos: September 2025
  34. Favorite Photos: October 2025
  35. Favorite Photos: November 2025
  36. Favorite Photos: December 2025
  37. Favorite Photos: January 2026
  38. Favorite Photos: February 2026
The photograph captures a tender moment between two Kangaroo Island kangaroos (Macropus fuliginosus fuliginosus), a mother and her joey, in a close embrace amid a sunlit grassland on Kangaroo Island, South Australia. The smaller joey stands on its hind legs, wrapping its forelimbs around the taller adult's neck while nuzzling its face against the mother's cheek, conveying a sense of affection and bonding. Both animals exhibit the subspecies' characteristic reddish-brown fur with subtle lighter patches, their large ears perked and dark eyes gazing upward. The setting features golden, dry grasses bathed in warm, diffused light from a low sun, creating a soft, ethereal glow, with blurred shrubbery in the background enhancing the intimate focus. The overall composition evokes themes of maternal care and serenity in a natural habitat.

This is why I love wildlife photography. Witnessing scenes like this and immortalizing them in a photograph makes my heart sing. I’m so happy to have captured this tender moment between two Kangaroo Island kangaroos, a mother and her joey, in a close embrace.

Kangaroo Island kangaroo (Macropus fuliginosus fuliginosus) is a sub-species of the Western Grey Kangaroo (Macropus fuliginosus). They look slightly different from their cousins on mainland Australia; they’re shorter with darker, chocolate-brown fur. And way cuter, if you ask me.

This is a photo from my recent trip to Australia, from Kangaroo Island (South Australia), where we spent a few weeks in November/December.

A close up side profile shows a muskox enduring a heavy snowfall.

The muskox is positioned in the center of the frame, facing right. The texture of its dark, shaggy fur is visible, with snowflakes resting on the outer tips. The fur is a mix of dark brown and black shades. Its eye is a light brown color, and the curved horns are a light tan color. The animal's head is slightly dusted with white snow.

The background is mostly out of focus, appearing as a soft gradient of whites and light yellows, suggesting a snowy or icy environment. Snowflakes of various sizes are falling throughout the image, creating a sense of movement and wintery atmosphere. The light is soft and diffused, highlighting the musk ox’s rough texture. The overall mood is cold and serene, emphasizing the animal's resilience in a harsh environment.

A close-up of a muskox enduring heavy snowfall on my recent trip to northern Sweden has quickly become one of my favorite photos. I had edited other photos from that trip, but I kept coming back to this one again and again. I liked the ox’s stoic attitude, standing still in the cold, heavy snow falling silently across the white landscape.

Muskoxen (Ovibos moschatus) are some of the most interesting and rare wild mammals in Sweden. They disappeared from Sweden and the rest of Europe about 9,000 years ago, at the end of the last Ice Age. The muskoxen found in Sweden today are descended from five animals that wandered across the border from the reintroduced Norwegian herd in Dovrefjell and settled in the Härjedalen mountains.

Muskoxen are more closely related to sheep and goats than to oxen. Their incredibly thick coat (including the ultra-warm qiviut underwool) allows them to survive temperatures as low as –40 °C. In Sweden, they are perfectly adapted to the harsh alpine tundra and long winters.

Two red squirrels stand on a snow-covered log during a snowfall._The image shows two red squirrels facing each other on a snow-covered log in a quiet winter woodland. Snow blankets the ground and clings softly to the fallen tree trunk, while delicate flakes drift through the air, creating a gentle, dreamy atmosphere. The squirrels’ warm russet fur contrasts beautifully with the pale whites and soft blues of the snowy landscape. One squirrel appears alert and upright, as if listening or speaking, while the other mirrors its posture, suggesting a moment of interaction or curiosity between them. In the background, blurred grasses, branches, and tree trunks fade into a soft haze, giving the scene a painterly, almost storybook quality that emphasizes calm, intimacy, and the stillness of winter.
Two squirrels perch on snowy branches amidst a gentle snowfall. The image depicts a winter scene featuring two squirrels clinging to branches covered in snow. A branch is visible on the upper right with a thick covering of snow. The needles of the pine branch are covered in snow. Snowflakes fall gently around the squirrels and the branches. The overall mood is serene and peaceful, capturing the quiet beauty of a winter day in the woods.
The photograph depicts a whimsical winter scene featuring a Eurasian red squirrel (Sciurus vulgaris) perched atop a small mound of snow, with gentle snowflakes falling around it. The squirrel, characterized by its reddish-brown fur, prominent ear tufts, and alert expression, sits upright while holding a miniature brown bag filled with nuts in its front paws, as if presenting or examining the contents. To its right, a small mouse wears a red knitted wool cap and matching scarf, positioned as if emerging from the snow with a playful demeanor. The background consists of a soft, overcast white expanse, evoking a serene and magical snowy landscape, enhanced by subtle pine needles on the mound for natural detail. The overall composition conveys a sense of festive interaction between the animals in a controlled, artistic setting.

I love red squirrels, you know that. I even have a separate Instagram account for them, Whimsical Squirrels. It’s a place to play, experiment, and have fun, different from my main account. In a way, it takes off a lot of the pressure I put on myself to create beautiful wildlife photos. 

Lately, I’ve been drawn to painterly-style photos and have been experimenting a lot, trying to give my photos that feeling of looking at a painting. I’ve also started creating some composite images. 

These photos are the first results that I’m pleased with. They were so much fun to work with! The wool cap and the scarf of the mouse gave me so much grief, you can’t imagine it! But I think I nailed it in the end. 


📸 All photos were taken with Canon R5 Mark II & Canon RF100-500mm F4.5-7.1 L IS USM, except for the squirrels photo (taken with Canon R5).


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Love my work? Support my journey by buying me a coffee or sharing it on your preferred social network. And don’t forget to swing by my online shop to check out my latest prints and gifts. Thank you 🙏 !

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