The old pond:
A frog jumps in,—
The sound of the water.
by Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
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The old pond:
A frog jumps in,—
The sound of the water.
by Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
To read more poems, click here.
Although the wind
blows terribly here,
the moonlight also leaks
between the roof planks
of this ruined house.
By Izumi Shikibu (974–1034). Izumi Shikibu was a mid-Heian period Japanese poet and a member of the Thirty-six Medieval Poetry Immortals.
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What a strange thing!
to be alive
beneath cherry blossoms.
By Kobayashi Issa (1763-1828), a Japanese poet known for his haiku poems and journals. Issa is regarded as one of the four haiku masters in Japan, along with Bashō, Buson, and Shiki.
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The lark sings through the long spring day,
But never enough for its hearts’ content.
by Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
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I have caught up departing Spring
Here at the Bay of Waka-no-ura.
Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
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My gift to you will be an abyss, she said,
but it will be so subtle you’ll perceive it
only after many years have passed
and you are far from Mexico and me.
You’ll find it when you need it most,
and that won’t be
the happy ending,
but it will be an instant of emptiness and joy.
And maybe then you’ll remember me,
if only just a little.
by Roberto Bolaño (1953-2003), Chilean novelist, short-story writer, poet and essayist.
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When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
by Wendell Berry (b. 1934), American poet, novelist, and environmentalist.
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You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.
– Mary Oliver (1935 – 2019), from the volume Dream Work (1986)
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There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
By Li-Young Lee (b. 1957 – )
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Measure the walls. Count the ribs. Notch the long days.
Look up for blue sky through the spout. Make small fires
with the broken hulls of fishing boats. Practice smoke signals.
Call old friends, and listen for echoes of distant voices.
Organize your calendar. Dream of the beach. Look each way
for the dim glow of light. Work on your reports. Review
each of your life’s ten million choices. Endure moments
of self-loathing. Find the evidence of those before you.
Destroy it. Try to be very quiet, and listen for the sound
of gears and moving water. Listen for the sound of your heart.
Be thankful that you are here, swallowed with all hope,
where you can rest and wait. Be nostalgic. Think of all
the things you did and could have done. Remember
treading water in the center of the still night sea, your toes
pointing again and again down, down into the black depths.
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