Category: Writing

Faith and the Art of Writing

Seashells heart

I do not know whether I shall make progress; but I should prefer to lack success rather than to lack faith. Once again, Seneca hits the nail on its head. My writing mornings have become more and more torture sessions after the almost euphoric beginning. I write and write, one sentence after another, and I write almost anything, no matter how bad or irrelevant to the topic, just to record something in the log and say, See, I’ve written that much today. But do I believe in what I’m writing? Not anymore. I’m losing faith, and that’s about the worst. In survival situations, mental strength is the difference between who dies and who lives; in writing, between who finishes a book and who doesn’t.

I finish the daily quota and go for a walk, unsatisfied by the day’s production. A jumble of words, a bright spark here and there … how can all this become a book? How could I think I could write? But isn’t every author saying that you have to write, no matter how bad, in order to learn how to write? You’ll suck at first, they say, and you’ll continue sucking for a while; you have to make your peace with that. But with every word scribbled down in anguish, with every sentence excavated from the depths of your creative mine, with every doubt encountered but dismissed on the way – you learn. 

That is, you learn if you have faith and keep at it long enough to notice your progress. That’s the difference between those who finish a book and those who don’t. Learning how to write means learning how to live with inadequacy and doubt and how to keep going despite your mind screaming in protest. “What’s the use?” that traitor would say, “You call that writing? You’re lucky your life doesn’t depend on it.” You hear it scream, yet you continue, you endure it and write another sentence, and another one, and another one.

I am always doing that which I cannot do, in order that I may learn how to do it”; Picasso’s words comfort me. Have faith and keep going. Never stop working; never lose faith. You’ll make it.


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How to Write Anything

An abstract photo of the sea
Fire in the Sea © Mihaela Limberea 2021

“I don’t know what to write about.”

“Of course you do. You must know something.”

“I know nothing.”

OK. Let’s see.

I know my name and the name of the street I live on. And of this tiny island I call home.

I know the sun rises in the east and sets in the west. I’ve seen it. It’s real.

I know the blackbirds are early risers and catch the worms indeed.

I know a jay can scoop and carry away twenty peanuts in one go.

I know the sounds of the trees when the wind catches in their long arms.

“See, you do know something. What else do you know?”

How quickly rabbits and squirrels demolish my Halloween pumpkins. (Very).

What finches and blackbirds love to eat (hemp seeds and apples).

The funny way the squirrels or the woodpeckers chase each other around the old oak in my back yard.

The way the cat twitches her whiskers in her sleep, chasing squirrels and sparrows and growling softly.

The blare of the emergency broadcast testing on Mondays at 3 pm, always on schedule, always unexpected.

“That can’t be all. Surely there’s more.”

Resistance is futile.”

“Very funny.”

“Very well. A writer’s life is lonely.”

“Would you want it any other way?”

“Of course not.”

“Go on.”

Writing is a curse and a blessing.

It’s hard to start and even harder to stop.

All first drafts are atrocious. Awful. Lousy. Get used to it.

Words form slowly on the paper, and when they do, they don’t sound as good as they did in your head. So get used to this, too.

It’s most likely that your writing will be misunderstood, but that’s OK. Once you send something out into the world, it doesn’t belong to you anymore. So let it be and move on.

Other people’s work is always better, you think. Don’t. What others do is not your business. Your business is to write.

Know that there’s plentiful in the world to keep you from writing: airing the mattresses; checking if there’s milk in the fridge and potatoes in the pantry; looking up what a baby porcupine is called (a porcupette – you’re welcome!); and a myriad other needs that arise suddenly the moment you sit down to write.

Resist the urge to rush to the bedroom or the pantry. Instead, write down the porcupine question for later. If need be, tie yourself to the chair like a modern Odysseus, but keep your butt on the chair. This is called the BIC technique by the people in the know.

“What’s BIC?”

“Butt in the chair.”

“Oh, I see.”

Talent is good, but self-discipline is better. 

If you want to be a writer, write. Don’t talk about writing; write.

The self-appointed inner critic is a jerk; ditch him. 

Doubt is the writer’s constant companion, as is fear, perfectionism, and other delights you’ll discover on your own. It’s normal; you’re not alone.

Write, write, write. Then write some more. It’s the only way to stay sane; that, and some strenuous walking every day—bonus points for wandering in the woods. (Look up Japanese forest bathing after you’ve done your writing for the day).

Having high expectations of your work is the surest way of failing. So do your best and call it good enough.

Does a little perfectionist live inside you? Lock him up and throw away the key. Always striving to become better is good; never being satisfied with anything you do is bad. Nothing is ever purr-fect but a cat.

“What did I tell you? It’s hard to start but even harder to stop.”

“What can I say? You were right.”

“I always am. I have to go now, though; the mattresses need airing this very moment, I’m afraid.”


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Art is Warfare: A Status Report

Abstract photo in hues of blue by Mihaela Limberea.
Speed. © Mihaela Limberea 2021

Am I still writing a book? Sure I am. And I’ll tell you a secret: it’s good I’ve decided to document my journey publicly; it forces me to continue even when I’m tempted to give up, to be honest. I can’t think of a better way of staying the course as a writer. Only I wouldn’t give up, of course. Instead, I would write something different and much better, and finish the other book later. Oh, the lies we can tell ourselves!

Anyway, I managed to evade the siren calls of the new ideas and stay with The Book. (In an attempt to focus on the work, I’ve started now calling it The Book, using capital letters; any means are allowed to keep going!).

I’m now reading the last few research books and working on the lecture notes. I’m so fed up with reading books when my whole body screams to start writing. Hence, the lure and allure of the shiny new ideas. 

But I’m almost out of the tunnel, and I think I can see the light (unless it’s the train, as my old boss used to say). So I’ve allowed myself to start putting some meat on the preliminary outline. It almost feels like writing and keeps me happy, or, at least, calm, while I’m wrapping up the research.

So, not so much to report from the trenches, just soldiering on. I’m shooting for January 1st to start the actual writing. Art is warfare; Steven Pressfield was right.


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TMIS or The Too Many Ideas Syndrome

Remember when I was talking about my temptation to abandon my non-fiction book and start writing a different kind of book? Guess what? It happened again! No surprise there. It felt so good (it always does!), I almost started jotting down the first pages. Then reality set in, and I have, in fact, looked up that blog post just to remind myself that ideas are a dime a dozen

Most (non-writing) people think that writers need ideas for new books, but getting new ideas is seldom a problem. Quite the opposite, in fact. Enter TMIS, i.e., Too Many Ideas Syndrome. You have more ideas that you could possibly be working on. So beware: TMIS sounds like a luxury problem, but it can be paralyzing or make you jump from project to project, never finishing anything.

I have a pretty long list of things I’d like to write about, and – as you can see here – every now and then, I even convince myself that it may be worth abandoning whatever I was working on to pursue that shiny new thing.

However, this time I was ready and stayed the course. I followed my own advice (something I should do more often, I always think) and archived that shiny thing in the slush file. With a sigh and some heartache but I did it. If nothing else, I hope it’ll make me finish this book as soon as possible; then, I can start working on the new one. Win-win!


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Writing Is a Job

Writing is a job-text on the background of a notebook.

Writing a book sounds romantic, gazing over the roofs of Paris in a chilly attic room, slowly sipping hot black coffee. Fluttering curtains in the golden sunset. Sometimes it can even be that. 

But writing is, above all, a job. It’s work and routine. Toil and exhaustion. 

You have to go to work like everybody else and do the time on the chair. It means having a set time and place – be it a home office, a café, or the kitchen table. So you put on your working clothes, sit down at the set time, and start writing. No exceptions, no excuses, just doing. Every day.

Sometimes the words will flow, pouring of you so quickly you can hardly keep up typing, the pages filling effortlessly. You’re a gift to the world. Working is easy and pleasurable, and you can keep at it for hours.

Other times, you stare at the blank page and can hardly resist the urge to run. You write a few words, decide they’re lousy, and delete them. You start again. How could you ever think you could write?


Time drags on. Lunch cannot come soon enough. Or any interruption, really. You’re almost glad if something breaks. Then, suddenly, you’re happy calling the plumber or the electrician for an emergency repair. Or grateful if the delivery man seems to have time for a chat. Anything to avoid looking at that blank page, the blinking cursor a silent countdown to an inexorable deadline.

But you keep at it, how uncomfortable you may be. You’ve learned discipline. You’ve learned that if you sit there long enough, something will happen. An idea, even a kernel of an idea, will appear, seemingly out of thin air. An image that triggers long-gone memories. Scenes from a distant past or a shimmering future. And you’re in again. In the zone where fantastic things happen and writing is easy.

If you’re not able to write, write about not being able to write. For a writer, everything is writing material. Even not being able to write.

Like this text.


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Writing Is an Exercise in Humility

An Intentional Camera Movement (ICM) Photograph by Mihaela Limberea, in tones of green, lavender and orange
Intentional Camera Movement (ICM)* photograph of one of my flowers beds.

One thing anybody could tell you about me is my patience. Or lack of it. It’s a paradox, really. While I can be still for hours when stalking birds to take photos, for instance, most of the time, I have no patience. None. I’m the kid who ate the marshmallow immediately (and went looking for another one in the corridor; no nice waiting for me!).

Gardening has been a lesson in humility for me. It simply takes time for plants to grow, and a fully grown garden takes several years. Even then, it does take time for flowers to bloom or for butterflies to appear in the spring. By creating and tending a garden, you learn patience along the way.

After creating my first garden in Sweden, tending to another in Switzerland, and then creating a new one when back in Sweden again, I thought I’d mastered patience. 

Ha! So easily fooled we are! Especially by ourselves. 


Writing a book takes a lot of patience. Sitting at your desk day after day after day, toiling away a page at a time, with no end in sight. 

One day you think you’ve made good progress; you only have to keep going, and you’ll get there. The next day, nothing works. You write 500 words and delete 400. You start doubting yourself. Do you really have what it takes? Patience and perseverance to sit there every day and build a cathedral by yourself, one brick at a time? To compare the wondrous vision of the building in your head and the lone low wall in front of you that you managed to erect so far?

Someone said that the only thing you need to write is a good chair. That’s a good point. You’ll need a good chair because you’re going to spend a lot of time in it. Sometimes writing, more often staring in space or scouring the internet for the best slug repellent (true story!).

I killed off all distractions on my computer, turned off e-mail and notifications, deleted games, and so on. Closed all programs, except for Scrivener (going off-road now, I know, but if you need anything to write, in addition to the said chair, you’d also need Scrivener, believe me! the best writing software, ever). And the internet browser. 

It’s a risk, I know. An internet connection while writing it’s an open invitation, a free-for-all buffet of distractions. 

I decided to take the risk. Looking up synonyms or the name of a bird I can’t bring to mind is worth it. Worse case, I’ll know more about the mating rituals of penguins or find the best slug repellent (I tend to be practical in my distractions; wasting time, yes, but at least I’ve got something for it).


So, I sit on the chair and stare at the Scrivener binder. Every morning. I try not to think about the number of days required to write a whole book. I try to have faith that if I show up every day, do the work, do the best I can, I’ll produce a book in the end. And maybe learn some patience on the way.

Writing is an exercise in humility. Day after day after day. Brick after brick after brick.

If you’ll excuse me, I have more bricks to lay now. Rome hasn’t been built in one day, and so on. Ta!


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A Few Steps Further Down the Road

Deep blue sea. Photo by Mihaela Limberea

I work slowly but steadily on my book—word by word, pebble by pebble. In fact, I’m not writing that much at the moment, mostly research notes, as I’m working my way through the research books; and morning pages, of course. 

I read, I take notes, I read some more. Days blend into each other. My hand hurts. My head hurts even more.

Will I ever get there? The end product, the book, seems so far away. I try not to think about it; it’s so overwhelming at times. I feel I’ll never get there. It’s just so … much. Too much to think about, too much to read, too much to write. Like rowing a small boat across a vast ocean with only a flimsy map and an old compass to aid.

At times you may see something on the horizon. Maybe the coast, or maybe the gathering storm clouds. Hard to tell. You keep rowing, blistering hands on the oars and eyes on the horizon. The vision at the end of the ocean is the only thing that pumps your muscles and keeps you going long after you’re all spent.

Sometimes you see a sailboat, swiftly gliding away in the sunset, ahead of you. Tanned people with big smiles waving happily at you as you toil alone and exhausted in your rickety boat. You envy them, their seemingly effortless travel and happy faces.

Grudgingly, eyes off the happy vision, you grab your oars firmly once again and keep going. That’s the only thing you can do. Keep working, keep trusting the vision in your head. Work and have faith. Do your best and hope you’ll cross the ocean unscathed and find the treasure at the end of the rainbow.

There is a certain satisfaction in having done your best. Maybe your best is not good enough; you’re not always the best judge of that. Even so, you know that you’ve done the best you could at that moment. Right now, right here. You can try again, do better—step by step, day by day.

Happiness is this moment now, the sense of quiet accomplishment at the end of the day, the string of tiny moments, a task well done.

I put my books and papers away. Another day, another page, a few steps further down the road. Closer to the rainbow.


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If You Want to Be a Writer, Write!

A pink water lily. Photo by Mihaela Limberea

I was talking to my aunt some time ago, and I mentioned I was reading about stoicism. “Well, that’s certainly the best time to do it.”, she said as we were talking about Covid-19 just before we moved on to books.

A practical philosophy to guide you to live a better life, become a better and wiser human being, more resilient to whatever life throws at you, Stoicism is definitely helpful these days. 

But what I was thinking about, in fact, was the way you could apply it in your creative endeavors.  We’re all human beings, after all, before being artists.

Stoics didn’t give much for theories, they were more hands on. They valued action, not talk. 

Live your values, don’t just talk about them, simply put.

For an artist, it means you shouldn’t talk about the book you’re going to write, the music you’ll compose, the painting you’ll do. You should write. You should compose. You should paint. Then you can talk about it.


Don’t explain your philosophy. Embody it, said Epictetus.

Waste no more time arguing what a good man should be. Be oneMarcus Aurelius advised.

If you want to be a writer, write. Don’t talk about writing.


As a beginner, it’s easy to get caught in appearances. You know, people-watching at a café, scribbling ideas onto a Moleskine notebook. Buying the latest and greatest writing software and gadgets. Tinkering with a website. And so on.

But these are all, well, appearances.

What you don’t see when reading a good book is the toil behind it. The time on the chair, the long hours spent staring at the blank page, the despair, the self-doubt, the inner criticism, the endless edits, the re-writs, time after time, day after day. Writing is a hard business, as Hemingway once said. *

Don’t be one of those people sitting at the café, sipping their latte, and talk about writing a book. Stop talking and start creating.

You become an artist by doing the work of an artist, not by talking about it.


* letter to Maxwell Perkins, 1938 from Selected Letters


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Dreams Are Involuntary Fiction

Close up of a skyscraper in Tokyo, Japan. Photo by Mihaela Limberea
Close up of a skyscraper in Tokyo, Japan.

Last night I dreamt of … Bear with me, please. I know, reading about someone’s dreams is as exciting as watching your computer progressing through system updates—even well-written ones. 

I guess it has to do with their purely fictional character. We know they’re made up. Fiction pretends to be real, and we call it out when it’s not working. We’re willing to listen to the tale that is disguised as true, but not to the dream we know is not.

Dreams are second hand, involuntary fiction.

So, I had a dream. I won’t bother you with the details. But being through a scary experience (being lost in a city I didn’t know, walking very determined to nowhere), I did what all writers do: wrote about it in the dream. I had, apparently, decided that I could at least get a story out of that scare. Never let a good crisis go to waste, and all that.

And when I woke up, I wrote about the dream. As any writer would do. 


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All Creation Is an Act of Faith

Reflection of reeds in the lake water. Photo by Mihaela Limberea

All creation is an act of faith. Faith in yourself and your capacity. Your skills. Your persistence. Your vision. Especially your vision.

As an artist, you don’t have a blueprint, a manual to show you the way. No IKEA how-to-kit. “Follow these steps, assemble these parts; here’s the final product.” Only the vision in your mind, of what it could be.

At times, you may waver. Self-doubt creeps in. You run into a problem, and your vision seems to be more and more a fata morgana, a mirage drawing further and further away.

Other times, you cannot be even bothered to do the work. “What’s the use? It’ll be useless. It’s such a bad idea.”

That’s fine, in fact. Self-doubt is an artist’s constant companion. We have to learn to live with it. Acknowledge it, look it in the eye, and keep working. 

There’s no other way.


If you hear a voice within you say you cannot paint, then by all means, paint, and that voice will be silenced.
― Vincent van Gogh


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