Category: Creativity

Dance With The Fear

Black swan, Kangaroo Island, South Australia

I remember a morning on Kangaroo Island — overcast, the light flat and uncooperative, my camera next to me, and nothing moving in the scrub. I had driven out before dawn specifically for this, and now I stood there doing nothing. Not because there was nothing to photograph. Because I could not decide where to begin.

That paralysis is not about conditions or equipment. It is about the blank canvas problem. Every creative act starts in the same place: an empty frame, a cursor blinking on a white page, a silence that asks you to be the one to break it. And something in us resists. We inflate what we are about to make until it carries more weight than any single photograph or paragraph or brushstroke can bear, and then we cannot move under that weight.

The way out is smaller than you think.

Tell yourself you are not making anything yet. You are just sketching — warming up, loosening the joints, seeing what is there. In the field this means making the first technically imperfect frame anyway: wrong exposure, wrong angle, too much foreground. It does not matter. You have pressed the shutter. The paralysis is broken and you are working. In writing it means a sentence, even a bad one, placed on the page. In any creative practice it means permission to produce something provisional, something that does not count yet. Play is not the opposite of serious work; it is usually how serious work begins.

What happens next is worth paying attention to. Once you have something — even a rough thing — the terms of the conversation change. You are no longer trying to conjure from nothing; you are responding to what is already there. You adjust, you refine, you follow the thread. The fear that was blocking you does not disappear, but it shifts from the front of your attention to the edge of it. The work absorbs you and carries you forward. This is not a trick or a hack. It is simply how the creative process functions when you let it.

There is a temptation, particularly if you are serious about your craft, to want to bypass the uncomfortable part — the uncertainty, the not-knowing, the exposure of putting something unfinished into the world even provisionally. But that discomfort is load-bearing. The friction between what you can see in your mind and what you are able to execute right now is precisely the tension that produces growth. Good work — the kind that has texture and honesty to it — tends to come from staying inside that tension rather than from resolving it too quickly.

So dance with it. Not because the fear is pleasant, but because it is telling you that what you are attempting matters to you. That is useful information. Use it.

Show up. Make the imperfect first frame. The rest follows.


Related Posts


Love my work? Support my journey by buying me a coffee or sharing it on your preferred social network. And don’t forget to swing by my online shop to check out my latest prints and gifts. Thank you 🙏 !

Follow me on Instagram | Facebook | Threads | LinkedIn | Tumblr | X | Buy Me A Coffee 



When Quantity Becomes Quality

This photo features a red squirrel holding a chestnut in a lush forest setting. The squirrel, with its vibrant reddish-brown fur and bushy tail, is perched on a moss-covered branch, clutching the chestnut with its tiny front paws. Its bright black eyes and alert expression are highlighted by the soft morning light filtering through the dense green canopy, while the background blurs into a rich tapestry of leaves and earthy tones.

Squirrel Anno 2025Canon EOS R5M2 & Canon RF100-500mm F4.5-7.1 L IS USM

There is a truth about creative work that nobody really warns you about at the start: it takes an almost unreasonable amount of repetition before anything interesting happens.

Not talent. Not inspiration. Repetition.

I think about this a lot, especially on the days when I come home from a shoot with a card full of images and none of them feel quite right. Those days used to discourage me. Now I understand them differently. They are part of the process, not a sign that something has gone wrong.

The idea is simple, even if the practice is hard: put in the hours, and quantity eventually becomes quality.

A page a day becomes 365 pages after a year. A whole book, written in the margins of an ordinary life. Ten photographs a day, taken with intention, varying your settings, your compositions, your light, your distance, means thousands of images over a year. Thousands of small decisions. Thousands of tiny experiments. And somewhere in that pile, something shifts. You stop thinking about your camera and start seeing through it. You stop wondering whether to try a different angle and just move, instinctively, because your hands already know.

That is what practice actually does. It moves knowledge out of your head and into your body.

I have been photographing wildlife long enough now to remember what it felt like not to know my equipment. The hesitation before adjusting settings when an animal was moving. The missed shot because I was still thinking. Those moments have a way of teaching you, but only if you show up enough times to collect them.

A red squirrel is perched on a moss-covered rock, surrounded by fallen autumn leaves.

My first squirrel photo: I was so happy to get it in frame!

Squirrel Anno 2020 Canon EOS 5D Mark III & Canon EF70-300mm ƒ4-5.6L IS USM

Process your photos every day. Pay attention to what worked and why. Look honestly at what did not. You will get better. And somewhere along the way, without quite noticing when it happened, you will find your style. Not the style you planned for or tried to imitate, but the one that emerges from all those hours of paying attention to what you actually see.

Nothing comes from nothing. This sounds obvious and it is, but we still manage to forget it. We look at someone whose work we admire and see the result, not the years behind it. We compare our beginnings to someone else’s middle. And then we feel stuck, or slow, or not talented enough.

The answer is never more talent. The answer is more hours.

Have faith in the process, even when you cannot yet see where it is taking you. Do the work today. Do it again tomorrow. Let the pile grow. Somewhere inside it is the photographer, or the writer, or the artist you are becoming.

You just have to keep going long enough to meet them.


Related Posts


Love my work? Support my journey by buying me a coffee or sharing it on your preferred social network. And don’t forget to swing by my online shop to check out my latest prints and gifts. Thank you 🙏 !

Follow me on Instagram | Facebook | Threads | LinkedIn | Tumblr | X | Buy Me A Coffee 



Creation Is a Harsh Mistress 

A majestic eagle soars through a clear blue sky.The image captures a powerful wedge-tailed eagle in mid-flight, its impressive wingspan stretched wide against a bright, mostly cloudless sky. The sky is a soft, pale blue, with just a hint of wispy white clouds on the left side, providing a subtle contrast to the bird. The eagle itself dominates the left and center of the frame, positioned so that its head is turned slightly towards the viewer, revealing its keen, alert gaze. Its feathers are a rich tapestry of browns, tans, and blacks, with intricate patterns visible on the wings and tail. The sunlight illuminates the underside of its wings, highlighting the delicate structure of the flight feathers and giving them a warm, golden hue. The eagle's body is dark brown, with lighter, buff-colored feathers on its chest and the nape of its neck. Its talons are tucked close to its body. The composition is dynamic, with the eagle angled as if gliding effortlessly forward. The overall atmosphere is one of freedom, power, and natural beauty. The image is sharp and detailed, emphasizing the texture and majesty of the bird.

Wedge-tailed eagle, Kangaroo island, South Australia

I watched a falcon take a starling once.

It happened in seconds — a stoop from height, a collision, a brief tumble, and then stillness. The falcon landed, mantled its wings over the kill, and began to feed. No hesitation. No apology. The rest of the murmuration closed its wound and moved on, a liquid black ribbon reshaping itself against the grey sky as if nothing had happened.

Nature did not pause to consider the starling’s feelings. It did not schedule a meeting to discuss the timing. It did not send a polite message saying, perhaps another day would be more convenient. The falcon had one job. It did it with complete, unsentimental precision.


I thought about that for a long time afterwards.

The natural world is not cruel in the way we sometimes use the word — with malice, with intent to wound. It is simply indifferent. The blizzard that buries the weakened elk does not choose its victim. The drought does not spare the seedling that had potential. What cannot sustain itself does not survive. What is not fit for its environment is quietly, inexorably removed. There is no committee. There is no appeal.

This is not tragedy. This is the engine of everything alive.

I left a corporate career to become a wildlife photographer. I made that choice deliberately, with eyes open, because I understood — or thought I understood — that creative work requires space, silence, and concentrated time. What I did not fully anticipate was how many forces would immediately begin filling that space the moment I created it. Other people’s timelines. Requests that arrived as opportunities but functioned as obligations. Collaborations that fed someone else’s project at the cost of my own. The slow, pleasant drift of mornings spent responding to things instead of making things.

The predator that does not hunt loses its edge. Not suddenly — gradually. The reflexes soften. The eye grows less sharp. The kill becomes harder, then harder still. By the time the decline is visible, it has been happening for months.


I had to learn to be a predator about my time.

  • This means mornings are not negotiable. From the first hour of daylight until noon, I am either in the field or at the editing desk. That time belongs to the work. Not to inbox management, not to social media, not to the interesting idea someone else wants me to develop with them. The work comes first, with the same blunt priority that a hunting animal gives to hunting.
  • It also means I have learned to say no without elaborate justification. The wolf does not explain to the caribou why it has chosen this particular moment, this particular angle of approach. It simply acts in accordance with its own survival. When I decline a project that would consume three weeks of creative time for someone else’s gain, I do not owe a detailed account of my reasoning. I am working is sufficient. My time is committed is sufficient. The rest is courtesy, not obligation.
  • And it means editing the calendar with the same ruthlessness that natural selection applies to a gene pool. The commitments that do not serve the work — the meetings that could be emails, the appearances that offer visibility but cost focus, the social obligations that accumulate like sediment — these are the weak, and they will crowd out the strong if you let them. Review them. Remove what cannot justify itself. What remains will be stronger for the culling.

Nature has no interest in your intentions. It measures only what you actually do, what you actually make, what you leave behind that can survive without you.

Your creative time is not a luxury to be rationed out after everything else has been served. It is the thing. It is the hunt, the territory, the survival condition. Protect it accordingly.

Be the falcon. Be the blizzard.

Be, if you must, the cruel mistress — because the alternative is to be the starling.


Related Posts


Love my work? Support my journey by buying me a coffee or sharing it on your preferred social network. And don’t forget to swing by my online shop to check out my latest prints and gifts. Thank you 🙏 !

Follow me on Instagram | Facebook | Threads | LinkedIn | Tumblr | X | Buy Me A Coffee 



Creativity vs. Art

White vase with purple lilac

Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.

Scott Adams

Scott Adams (1957-) is an American author and cartoonist.


To read more quotes, click here.



Creative Work Needs Solitude

Close up of sea

Creative work needs solitude. It needs concentration, without interruptions. It needs the whole sky to fly in, and no eye watching until it comes to that certainty which it aspires to, but does not necessarily have at once. Privacy, then. A place apart – to pace, to chew pencils, to scribble and erase and scribble again.

Mary Oliver

Mary Oliver (1935-2019) was a Pulitzer Prize-winning American poet popular for her brief and poignant poems exploring the links between nature and the spiritual world.


To read more quotes, click here.


We Must Not Be Defeated

Statue of St. Francis of Assisi by Frances Rich at Millesgården

There is, I hope, a thesis in my work: we may encounter many defeats, but we must not be defeated. That sounds goody-two-shoes, I know, but I believe that a diamond is the result of extreme pressure and time. Less time is crystal. Less than that is coal. Less than that is fossilized leaves. Less than that it’s just plain dirt. In all my work, in the movies I write, the lyrics, the poetry, the prose, the essays, I am saying that we may encounter many defeats—maybe it’s imperative that we encounter the defeats—but we are much stronger than we appear to be and maybe much better than we allow ourselves to be.

Maya Angelou (1928–2014), was an American poet, storyteller, and autobiographer.


To read more quotes, click here.



We Have To Stop Struggling To Become Free

Close up of sun rays playing on dark sea waves. Photo by Mihaela Limberea

Creativity thrives on constraints; I said it many times. Social distancing and closed meeting places hurt creativity, it’s true. But we cannot wait until life is back to normal (or to the new normal, rather) to be creative. We have to work with what we have, right here, right now. In solitude. Hurting. Hoping. 

We have to become our own support system, our own cheerleaders. Acknowledge the hurt, the anxiety, the not knowing. And move past them. Otherwise, we’d become stuck.

In a scene from “Harry Potter and the Sorcerer’s Stone,” Harry, Ron, and Hermione struggle to free themselves from a giant plant. The more they struggle, the more the plant tightens around them. Once they relax and stop moving, they’re free. 

We have to stop struggling to become free.


Related Posts


If you liked this post, share it on your preferred social network or forward it to a friend.



The Perpetual Tide and Ebb of the Creative Process

I had a good workday yesterday, keeping to my to-do-list and ticking off all the items. That’s the power of a list, that sentiment of accomplishments that fills you up when you’ve crossed all points. (Here’s a good read on the subject of checklists).

But it was more than that. I was pleased with the work; I was pleased with myself. I looked at my day and congratulated myself. 

It doesn’t happen often. Life usually happens. An unexpectedly early delivery, computer breakdown, a distressing phone call. There’s always something, and I’ve learned to juggle priorities. As long as I focus on my priorities, I can handle disruptions. If I’ve done my top three priority items on my list, I’m happy about my day.

Crossing off all the items and feeling good about the work, that one chapter, or those two photos, now that’s a rare combination.

Because creative work cannot easily be judged as, say, a piece of …

A red squirrel eating a peanut in the snow. Photo by Mihaela Limberea

Speaking of interruptions, the little red squirrel came by, and I ran out to take photos. Now I have to re-focus and return to my text. 

It’s easy to decide if a product such as a toaster meets the quality standards. But how do you decide whether an artwork is good? Herein lies the difficulty. The doubt creeps in. Small mistakes or minor flaws are enlarged until you only see them. Is this really the best I could do? Maybe if I had more time, I could have … I should have … 

Euphoria and doubt, back and forth, the perpetual tide and ebb of any creative process.


Related Posts


If you liked this post, share it on your preferred social network or forward it to a friend.



iPhotography II

Creativity Thrives on Constraints

Dreamy photo of a desolated jetty. iPhone photo by Mihaela Limberea.
The jetty at our nearby beach, a misty November day.

This post is about creativity, constraints and making do with what you have.

I had forgotten how dark it gets in this country after years of living in Switzerland. Last year doesn’t really count as re-acclimatization to Scandinavian darkness as we moved in at the end of October, had plenty of things to manage because of the move, and then went to Australia mid-December.

Darkness is so oppressive now; it feels like we’re living in a perpetual twilight zone. Even at noon, there’s not enough light to take decent photos. Outside, that is.

Dark mood photo of a man at the ned of a jetty. iPhone photo by Mihaela Limberea.
My husband agreed to model for this one. It doesn’t happen often.

I use to go for a walk at noon, to get some fresh air and daylight. Especially daylight. I always preach creativity thrives on constraints, and so I’m forcing myself to find something to photograph during my walks. Sometimes I bring my Canon 5D if there’s enough light to give it a try; otherwise, I always have my iPhone.

On some overcast days, this really becomes an exercise in creativity as the whole world seems to be blanketed in 50 shades of gray (pun intended).

The salvation then is in post-processing. I like to keep things simple. The photos above were taken with an iPhone and processed quickly with Snapseed. That’s it; it took me only a couple of minutes. No masterworks, I’m the first to admit. But much better looking than the original photos.

And since creativity thrives on constraints, I’m considering doing a 365 project, when you take and post one photo a day, every day, for a whole year. January 1st is around the corner, a good date to start a 365 project, don’t you think? It should be fun.


If you liked this post, share it on your preferred social network or forward it to a friend.

To read more posts on photography, click here.



Writing Lately

Taking my own advice, I continue writing, despite alarmist media reports, gradual movement restrictions in Sweden, and my own distraction. Creativity is hard work at any time, not only during a pandemic. So, I sit down every morning, turn on my computer, and start typing. 

I’m writing a short story at the moment. I was working on a novel but decided to pause it for a while. With a story, I can (hopefully) be done quickly, and that would give me a feeling of accomplishment. It’s also good fun writing it, and fun is a good thing these days. 

The funny thing (see what I did there?) is that I had completely forgotten about it. I had a few loose ideas, but I was working on a different thing at the time, so I just wrote them down, saved them in a “Writing Ideas” folder for later, and then promptly forgot about it. 

A few days ago, two years later, I was looking for something else and came across this file titled “The Author.” I had absolutely no idea what it was. I opened it, read the couple of pages it consisted of, and, not to sound my own trumpet, but they were good! With a few funny twists thrown in for good measure. So, I grabbed the file, got to work, and ended up in that creative bubble where everything seems far away, even the coronavirus, and the world is warm and nice, and fuzzy.

The learnings?

Koala by Mihaela Limberea www.limberea.com
A cute koala for your enjoyment. Photo © Mihaela Limberea

1) Always carry paper and pen with you and jot down any idea that you get. You will not remember it later. I’ve placed small blocks of paper and pens strategically everywhere in the house and in my pocket when I’m out. You could argue, of course, that you can use your smartphone, but I favor paper and pen. I enjoy leafing through the pages, slowly, back and forth, for the incommensurable joy of the unexpected connections that sometimes may jump at you from the pages.

2) Use a folder to organize these loose thoughts so you can easily find them later. Whether the folder is digital or analog doesn’t really matter, it only needs to suit your organizational system. You do have one I trust? 

Then let them marinate for a while, while you can carry on with your ongoing projects. You can come back any time to look for some ideas when you’re stuck or ready to kick off a new project.

Chance, fate, or just the butterfly effect may sometimes lead you to the end of the rainbow too. All you have to do is trust your creative genie.

Stay safe. Stay healthy. Stay calm and soldier on. And don’t forget to laugh. 


If you liked this post, share it on your preferred social network or forward it to a friend.