Tag: Writing Life

Faith and the Art of Writing

Seashells heart

I do not know whether I shall make progress; but I should prefer to lack success rather than to lack faith. Once again, Seneca hits the nail on its head. My writing mornings have become more and more torture sessions after the almost euphoric beginning. I write and write, one sentence after another, and I write almost anything, no matter how bad or irrelevant to the topic, just to record something in the log and say, See, I’ve written that much today. But do I believe in what I’m writing? Not anymore. I’m losing faith, and that’s about the worst. In survival situations, mental strength is the difference between who dies and who lives; in writing, between who finishes a book and who doesn’t.

I finish the daily quota and go for a walk, unsatisfied by the day’s production. A jumble of words, a bright spark here and there … how can all this become a book? How could I think I could write? But isn’t every author saying that you have to write, no matter how bad, in order to learn how to write? You’ll suck at first, they say, and you’ll continue sucking for a while; you have to make your peace with that. But with every word scribbled down in anguish, with every sentence excavated from the depths of your creative mine, with every doubt encountered but dismissed on the way – you learn. 

That is, you learn if you have faith and keep at it long enough to notice your progress. That’s the difference between those who finish a book and those who don’t. Learning how to write means learning how to live with inadequacy and doubt and how to keep going despite your mind screaming in protest. “What’s the use?” that traitor would say, “You call that writing? You’re lucky your life doesn’t depend on it.” You hear it scream, yet you continue, you endure it and write another sentence, and another one, and another one.

I am always doing that which I cannot do, in order that I may learn how to do it”; Picasso’s words comfort me. Have faith and keep going. Never stop working; never lose faith. You’ll make it.


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How to Write Anything

An abstract photo of the sea
Fire in the Sea © Mihaela Limberea 2021

“I don’t know what to write about.”

“Of course you do. You must know something.”

“I know nothing.”

OK. Let’s see.

I know my name and the name of the street I live on. And of this tiny island I call home.

I know the sun rises in the east and sets in the west. I’ve seen it. It’s real.

I know the blackbirds are early risers and catch the worms indeed.

I know a jay can scoop and carry away twenty peanuts in one go.

I know the sounds of the trees when the wind catches in their long arms.

“See, you do know something. What else do you know?”

How quickly rabbits and squirrels demolish my Halloween pumpkins. (Very).

What finches and blackbirds love to eat (hemp seeds and apples).

The funny way the squirrels or the woodpeckers chase each other around the old oak in my back yard.

The way the cat twitches her whiskers in her sleep, chasing squirrels and sparrows and growling softly.

The blare of the emergency broadcast testing on Mondays at 3 pm, always on schedule, always unexpected.

“That can’t be all. Surely there’s more.”

Resistance is futile.”

“Very funny.”

“Very well. A writer’s life is lonely.”

“Would you want it any other way?”

“Of course not.”

“Go on.”

Writing is a curse and a blessing.

It’s hard to start and even harder to stop.

All first drafts are atrocious. Awful. Lousy. Get used to it.

Words form slowly on the paper, and when they do, they don’t sound as good as they did in your head. So get used to this, too.

It’s most likely that your writing will be misunderstood, but that’s OK. Once you send something out into the world, it doesn’t belong to you anymore. So let it be and move on.

Other people’s work is always better, you think. Don’t. What others do is not your business. Your business is to write.

Know that there’s plentiful in the world to keep you from writing: airing the mattresses; checking if there’s milk in the fridge and potatoes in the pantry; looking up what a baby porcupine is called (a porcupette – you’re welcome!); and a myriad other needs that arise suddenly the moment you sit down to write.

Resist the urge to rush to the bedroom or the pantry. Instead, write down the porcupine question for later. If need be, tie yourself to the chair like a modern Odysseus, but keep your butt on the chair. This is called the BIC technique by the people in the know.

“What’s BIC?”

“Butt in the chair.”

“Oh, I see.”

Talent is good, but self-discipline is better. 

If you want to be a writer, write. Don’t talk about writing; write.

The self-appointed inner critic is a jerk; ditch him. 

Doubt is the writer’s constant companion, as is fear, perfectionism, and other delights you’ll discover on your own. It’s normal; you’re not alone.

Write, write, write. Then write some more. It’s the only way to stay sane; that, and some strenuous walking every day—bonus points for wandering in the woods. (Look up Japanese forest bathing after you’ve done your writing for the day).

Having high expectations of your work is the surest way of failing. So do your best and call it good enough.

Does a little perfectionist live inside you? Lock him up and throw away the key. Always striving to become better is good; never being satisfied with anything you do is bad. Nothing is ever purr-fect but a cat.

“What did I tell you? It’s hard to start but even harder to stop.”

“What can I say? You were right.”

“I always am. I have to go now, though; the mattresses need airing this very moment, I’m afraid.”


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TMIS or The Too Many Ideas Syndrome

Remember when I was talking about my temptation to abandon my non-fiction book and start writing a different kind of book? Guess what? It happened again! No surprise there. It felt so good (it always does!), I almost started jotting down the first pages. Then reality set in, and I have, in fact, looked up that blog post just to remind myself that ideas are a dime a dozen

Most (non-writing) people think that writers need ideas for new books, but getting new ideas is seldom a problem. Quite the opposite, in fact. Enter TMIS, i.e., Too Many Ideas Syndrome. You have more ideas that you could possibly be working on. So beware: TMIS sounds like a luxury problem, but it can be paralyzing or make you jump from project to project, never finishing anything.

I have a pretty long list of things I’d like to write about, and – as you can see here – every now and then, I even convince myself that it may be worth abandoning whatever I was working on to pursue that shiny new thing.

However, this time I was ready and stayed the course. I followed my own advice (something I should do more often, I always think) and archived that shiny thing in the slush file. With a sigh and some heartache but I did it. If nothing else, I hope it’ll make me finish this book as soon as possible; then, I can start working on the new one. Win-win!


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Writing Is a Job

Writing is a job-text on the background of a notebook.

Writing a book sounds romantic, gazing over the roofs of Paris in a chilly attic room, slowly sipping hot black coffee. Fluttering curtains in the golden sunset. Sometimes it can even be that. 

But writing is, above all, a job. It’s work and routine. Toil and exhaustion. 

You have to go to work like everybody else and do the time on the chair. It means having a set time and place – be it a home office, a café, or the kitchen table. So you put on your working clothes, sit down at the set time, and start writing. No exceptions, no excuses, just doing. Every day.

Sometimes the words will flow, pouring of you so quickly you can hardly keep up typing, the pages filling effortlessly. You’re a gift to the world. Working is easy and pleasurable, and you can keep at it for hours.

Other times, you stare at the blank page and can hardly resist the urge to run. You write a few words, decide they’re lousy, and delete them. You start again. How could you ever think you could write?


Time drags on. Lunch cannot come soon enough. Or any interruption, really. You’re almost glad if something breaks. Then, suddenly, you’re happy calling the plumber or the electrician for an emergency repair. Or grateful if the delivery man seems to have time for a chat. Anything to avoid looking at that blank page, the blinking cursor a silent countdown to an inexorable deadline.

But you keep at it, how uncomfortable you may be. You’ve learned discipline. You’ve learned that if you sit there long enough, something will happen. An idea, even a kernel of an idea, will appear, seemingly out of thin air. An image that triggers long-gone memories. Scenes from a distant past or a shimmering future. And you’re in again. In the zone where fantastic things happen and writing is easy.

If you’re not able to write, write about not being able to write. For a writer, everything is writing material. Even not being able to write.

Like this text.


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Writing Is an Exercise in Humility

An Intentional Camera Movement (ICM) Photograph by Mihaela Limberea, in tones of green, lavender and orange
Intentional Camera Movement (ICM)* photograph of one of my flowers beds.

One thing anybody could tell you about me is my patience. Or lack of it. It’s a paradox, really. While I can be still for hours when stalking birds to take photos, for instance, most of the time, I have no patience. None. I’m the kid who ate the marshmallow immediately (and went looking for another one in the corridor; no nice waiting for me!).

Gardening has been a lesson in humility for me. It simply takes time for plants to grow, and a fully grown garden takes several years. Even then, it does take time for flowers to bloom or for butterflies to appear in the spring. By creating and tending a garden, you learn patience along the way.

After creating my first garden in Sweden, tending to another in Switzerland, and then creating a new one when back in Sweden again, I thought I’d mastered patience. 

Ha! So easily fooled we are! Especially by ourselves. 


Writing a book takes a lot of patience. Sitting at your desk day after day after day, toiling away a page at a time, with no end in sight. 

One day you think you’ve made good progress; you only have to keep going, and you’ll get there. The next day, nothing works. You write 500 words and delete 400. You start doubting yourself. Do you really have what it takes? Patience and perseverance to sit there every day and build a cathedral by yourself, one brick at a time? To compare the wondrous vision of the building in your head and the lone low wall in front of you that you managed to erect so far?

Someone said that the only thing you need to write is a good chair. That’s a good point. You’ll need a good chair because you’re going to spend a lot of time in it. Sometimes writing, more often staring in space or scouring the internet for the best slug repellent (true story!).

I killed off all distractions on my computer, turned off e-mail and notifications, deleted games, and so on. Closed all programs, except for Scrivener (going off-road now, I know, but if you need anything to write, in addition to the said chair, you’d also need Scrivener, believe me! the best writing software, ever). And the internet browser. 

It’s a risk, I know. An internet connection while writing it’s an open invitation, a free-for-all buffet of distractions. 

I decided to take the risk. Looking up synonyms or the name of a bird I can’t bring to mind is worth it. Worse case, I’ll know more about the mating rituals of penguins or find the best slug repellent (I tend to be practical in my distractions; wasting time, yes, but at least I’ve got something for it).


So, I sit on the chair and stare at the Scrivener binder. Every morning. I try not to think about the number of days required to write a whole book. I try to have faith that if I show up every day, do the work, do the best I can, I’ll produce a book in the end. And maybe learn some patience on the way.

Writing is an exercise in humility. Day after day after day. Brick after brick after brick.

If you’ll excuse me, I have more bricks to lay now. Rome hasn’t been built in one day, and so on. Ta!


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Dreams Are Involuntary Fiction

Close up of a skyscraper in Tokyo, Japan. Photo by Mihaela Limberea
Close up of a skyscraper in Tokyo, Japan.

Last night I dreamt of … Bear with me, please. I know, reading about someone’s dreams is as exciting as watching your computer progressing through system updates—even well-written ones. 

I guess it has to do with their purely fictional character. We know they’re made up. Fiction pretends to be real, and we call it out when it’s not working. We’re willing to listen to the tale that is disguised as true, but not to the dream we know is not.

Dreams are second hand, involuntary fiction.

So, I had a dream. I won’t bother you with the details. But being through a scary experience (being lost in a city I didn’t know, walking very determined to nowhere), I did what all writers do: wrote about it in the dream. I had, apparently, decided that I could at least get a story out of that scare. Never let a good crisis go to waste, and all that.

And when I woke up, I wrote about the dream. As any writer would do. 


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What Should I Write About?

Close up of a vintage style typewriter with the paper in it saying "Chapter I".

Every morning it’s the same. I’m ready to start writing, and I’m just paralyzed by the white page in front of me. What should I write about? How should I start? 

I read about writers who stop working for the day when the writing is going well, in the middle of a paragraph, and I never understood it. I felt compelled to finish whatever I was working on, wrapping the day’s work nicely, put a bow on it. I couldn’t leave anything unfinished. 

But lately, it dawned on me that leaving the work when I knew what I was going to write was the perfect way of ensuring I would get started in the morning – because I knew exactly how to continue. And in writing, the hardest part is to begin, at least for me.

The problem is me, of course. I don’t always follow my own advice. This is why I’m back at “What should I write? How should I start?”.


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Being an Artist Is an Act of Daring

Withered grass in the snow. Photo by Mihaela Limberea
“Is this good enough for my portfolio? Should I try taking more photos tomorrow?”

Being an artist is an act of daring. Daring to bare your soul to the world.  A creative person does his work at home and keeps it at home, away from critical eyes. An artist sends it out in the world for all to see, to enjoy it, and criticize it. This is what separates amateurs from professionals.

You know all those modern art pieces you sneered at, saying, “I could do that!”, “I could do that better!”. Well, why didn’t you? Why don’t you? 

Maybe you could. But that artist didn’t stop at talking about her art, how she was going to create this great piece, how innovative it was. She didn’t dream about creating that beautiful artwork while waiting to have more time or take another course. She acted on it. Intention and follow through. That’s why they say, “The road to hell is paved with good intentions and roofed with lost opportunities.” 

Good intentions and great plans will get you nowhere very fast. You get an excellent idea and think, “I have something here. This would be a perfect start for a novel.”. And so, you toy with the idea, dream about writing that novel, maybe even find it a catchy title. You can see the cover, with “a splendid debut”-blurb splashed over it. You write the opening lines.

The morning the first undead burst into the city, Mats woke up in a dilapidated garage, his head pulsing with the mother of all headaches. A dog stared at him, tail wagging furiously back and forth. Where the hell was he? What was he doing in this, this…place? With a terrier? If it was a terrier, Mats didn’t know much about dogs and, frankly, didn’t care. Of course, had he known about the undead, his view of things may have been slightly different.

The new genre-renewing zombie novel! And you will write it! As soon as you’ve finished that new book about writing horror, and you have a little more time to think about the plot. Days, weeks, and months go by, and you’re still re-working the first paragraph, slowly turning into Joseph Grand in the process. 

A field of ice. Photo by Mihaela Limberea
Field of Ice. Good enough?

The safest road to hell is the gradual one – the gentle slope, soft underfoot, without sudden turnings, without milestones, without signposts. (C. S. LewisThe Screwtape Letters).

A true artist dares to send out her imperfect creation in the world. She wasn’t ready to; no artist ever is. But at some point, she’s made her peace with the work. It’s not as brilliant as she can see it in her mind’s eye, but she accepts that this is the best she can do right now. 

There’ll be criticism; there always is, of course. While nobody is ever ready for it, she moves on; she releases her soul’s child to the cold eyes of critics. Her work is done.

Creative people keep their creations close; anguished, they protect them. Artists release them to fend for themselves.


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Progress Report. Or Lack Thereof

So much for building my research database. I didn’t make as much progress as I thought with it. I did get started as planned, but it’s slow-moving.

Oh, there are reasons. Of course. There are always reasons.

We had to pick up the artworks we left for framing and pick frames for the next ones. Because of the pandemic, there’s no drop-in, you have to make an appointment, and we cannot always control the timing. It seems everyone is framing pictures on Lidingö these days; the place is bustling.

A framed picture of three drawings by Keith Harrington.
Exhibit no. 1: one of the framed pictures I had to pick up.
It consists of three large Keith Haring postcards from the Haring exhibition at the National Gallery of Victoria in Melbourne 2019.

The new desks for the home office were finally delivered, too, and I had to vacate the office to have them assembled, then re-decorate the room.

The cat had her final X-rays for her broken paw, and we had to go to the vet one more time.

We had a lot of home deliveries too.

The deer knocked off the bird feeders.

The dog ate my homework.


Life happens. There’s always something, and if I have to wait until everything is in order to write, the right planets and stars aligned, I will get nothing done.

I have to work through all this. Despite all this.

I’m also plodding, like competing-with-a-tortoise. Once I pick up speed, and I’ve got going, it’s smooth sailing, but I have a long start sequence. Too long.

The smallest disturbance or interruption derails me, and the restart is slow. I need to work on my attention and my focus. I was spoiled by working at home alone for over ten years, comfortable in my routines, and free to work and take breaks as I pleased.

With my husband working from home too now and sharing an (albeit large) room, I find the smallest interruption disruptive. I need to shift my mindset to allow that I’m no longer working alone instead of trying to recreate those ideal conditions that no longer apply. I realize now that I was set in my ways, trying to force this new life into the mold of my old one.


The last couple of weeks has been better, in fact. I try to compartmentalize things and think, “oh, new compartment,” when there’s an interruption. Then I get back to work by switching to the “work compartment.” It does take a few minutes to shift my focus back to whatever I was doing, but it’s better than the muttered resentment and the longer focus loss. It’s still a work in progress, and I think I like the progress if you’ll forgive the pun.

Anyway. I’ve started building my research database. Yawn. Before I started, I was looking forward to working on the reading list, because, you know, books! But once I started, the boring emerged, and I started to fantasize about reading those books, not merely writing a list. Why is the promise of future work more appealing than the work you’re currently doing?

Close up of a vintage-style typewriter with the words "Just do it" typed on the page.

Mindset. It’s all about the mindset. I need to work on the list so that I can read the books. As simple as that. Just do it.


By the way, do you know where that Nike slogan comes from? It’s a pretty morbid story. Facing execution for murdering two people, Gary Gilmore’s last words were, “Let’s do it.” That was 1977. A decade later, Dan Wieden, an advertising executive, pitched the slogan “Just do it” to Nike and, eventually, succeeded. The slogan, inspired by Gilmore’s words, aired in 1988, and, at the time, struggling Nike became the sport and fashion giant we know today.

And here’s another example of me going off on a tangent instead of working on my list. I admit it was far more rewarding checking the internet for a murderer’s last words than working on my Excel file. Now I understand why people kill their internet and delete all the apps on their phones. I’m not sure I could go that far, but I’d better go back to work.

Do you know what happens if you type “go back to work” on Google? You’d see all these Covid-19 related regulations about returning to work after a lockdown.

Results of a Google search

Right, I’ll go back to work. For sure. Right away. Just give me a sec. Any time now.


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Time Cannot Exist in the Zone

A little more than one year ago, my life was a frenzy of conference calls, online meetings, e-mails, projects, and what have you. It felt like being on a bullet train, the landscape whooshing by at such speed that all you could see was a blur. Time was speeding up more and more every day. It was Monday morning; then I blinked, and it was Friday again. I was barely aware I was living. Weeks and months flew by, growing into years faster than I wanted to admit. 

And I was wondering whether this was how my life would continue, years and years flying by faster and faster, and me barely able to tell them apart.

I managed to jump off the hamster wheel of my corporate job eventually. I had realized I couldn’t continue living at lightspeed. 

And you know what? Life slowed down. I slowed down. Time slowed down.

It did take a while, and a lot of soul searching. But once I’ve done that soul work, looking at my values, thinking about what was important for me, and deciding on a course of action, everything changed.


Living intentionally, with a purpose, based on values that were important to me, slowed down time. 

I’m in my bubble every morning, writing my morning pages as soon as I’ve completed my morning ritual (I’ll write a separate post on my ritual). The outside world ceases to exist. It’s only me and the sound of the pen moving across the paper. I lose all track of time. Time ceases to exist. Time cannot exist in the zone

I lift my eyes to the oak tree I see from my window. A woodpecker stares back at me. The little red squirrel that comes by every few days flies graciously from branch to branch. This irritates the woodpecker, and it flies away. 

I go out and put out walnuts, peanuts, and sunflower seeds for the squirrel who was waiting for me. She’s stopped raiding the bird feeders. She waits for me. The camera is irritating, I know, so I try to give her time to eat before I start clicking. I toss her a few nuts, and she walks, ever so cautiously, closer. No more than 1.5 meters for now, but my 300mm lens gets the job done at that distance. I didn’t invest in a wildlife telelens; I’m not a wildlife photographer. But there’s magic happening in my backyard, and I’m trying to catch these ephemeral moments.

Another bubble wraps around me. I forget the time when I’m taking photos. I have to set the timer on my Apple watch to remind me to get back for lunch.

Writing (morning pages, blog posts, poems, my book), taking or editing photos, gardening, reading, watching the birds and small animals in my backyard – this is my new life.

Marveling at this amazing world makes time disappear. Time doesn’t speed up; we do.


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