Tag: Neil Gaiman

Any New Beginning Is Forged From The Shards Of The Past

Winter landscape in Winterthur, Switzerland. Photo by Mihaela Limberea

Any new beginning is forged from the shards of the past, not from the abandonment of the past.

Craig D. Lounsbrough
Rose hips covered in snow. Photo by Mihaela Limberea

I hope that in this year to come, you make mistakes. Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re Doing Something.

So that’s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody’s ever made before. Don’t freeze, don’t stop, don’t worry that it isn’t good enough, or it isn’t perfect, whatever it is: art, or love, or work or family or life.

Whatever it is you’re scared of doing, Do it. Make your mistakes, next year and forever.

Neil Gaiman

Tree branches covered in snow. Photo by Mihaela Limberea

Be always at war with your vices, at peace with your neighbors, and let each new year find you a better man.

Benjamin Franklin
Trees covered in snow. Photo by Mihaela Limberea

With the new year comes a refueled motivation to improve on the past one.

Gretchen Bleiler
Trees covered in snow. Photo by Mihaela Limberea

May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you’re wonderful, and don’t forget to make some art—write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself.

Neil Gaiman
Winter town panorama . Photo by Mihaela Limberea

May Light always surround you;

Hope kindle and rebound you.

May your Hurts turn to Healing;

Your Heart embrace Feeling.

May Wounds become Wisdom;

Every Kindness a Prism.

May Laughter infect you;

Your Passion resurrect you.

May Goodness inspire

your Deepest Desires.

Through all that you Reach For,

May your arms Never Tire.

D’Simone


It Was A Hand In The Darkness And It Held A Knife

Tree
Photo © Mihaela Limberea

I finally found some time to listen to Neil Gaiman talking to Tim Ferriss in ”The Tim Ferriss Show” (a podcast that I highly recommend; it’s one of my favorite podcasts). The interview is almost two hours long, and I wanted to have time, and peace of mind, to really enjoy it. And take plenty of notes.

It’s always such a pleasure listening to Neil Gaiman’s hypnotically soothing voice talking about creativity and writing, books, his friendship with Terry Pratchett, fountain pens (he writes with a fountain pen) and the New York Fountain Pen Hospital (yes, there’s such a thing, the place to go if you want to buy a new fountain pen or repair the one you have).

I have included below a few points that have resonated with me. It wasn’t easy; I could have gone on much longer but wanted to keep the length of this post manageable.

About Ian Fleming’s writing process (yes, James Bond’s creator), who didn’t like writing. His method? Lock yourself up in a not too good hotel, in a not too good room in a town you don’t want to be in (as to avoid distractions and getting comfy), and write ”like a fiend” until you’re done.

Most important writing rule: you can sit here and write, or you can sit here and do nothing, but you cannot sit here and do anything else. All you are allowed to do is absolutely nothing or write. You give yourself permission to write or not write, but you end up writing eventually as doing nothing is boring, and your wandering mind will start sparkling ideas. Not having to write takes off some pressure as well.

On first drafts: nobody is ever meant to read your first draft. That is just you telling the story to yourself.

Setting up a Groundhog Day: writing (a novel) works best if you can do the same day over and over again. Figure out a daily practice that works for you, and repeat that day, every day, day after day after day. Austin Kleon used the same image in his new book ”Keep Going: 10 Ways to Stay Creative in Good Times and Bad”: every day is a Groundhog Day. 

You can read the whole podcast transcript  (and, of course, listen to/watch the podcast) on Tim Ferriss blog.

Neil Gaiman Quotes from the Podcast

All I’m allowed to do is absolutely nothing, or write.

What I love about that is I’m giving myself permission to write or not write, but writing is actually more interesting than doing nothing after a while. (…) I think it’s really just a solid rule for writers. You don’t have to write. You have permission to not write, but you don’t have permission to do anything else.

Part of what I discovered, particularly about being a novelist, is writing a novel works best if you can do the same day over and over again. The closer you can come to Groundhog Day, you just repeat that day. You set up a day that works for yourself. (…) I would do that day over and over and over and over. 

 I also think that the most important thing for human beings is to be aware of the change. The biggest problem we run into is going, “This is who I am, this is what I’m like. This is how I function.” while failing to notice that you don’t do that anymore

The biggest thing, looking back on it, that I learned from Terry <Pratchett> was a willingness to go forward without knowing what happens. You might know what happens next, but you don’t know what happens after that, but it’s okay because you’re a grownup and you will figure it out. 

Bonus: listen to Neil Gaiman’s audiobooks read by himself. Such joy! My favorites: Art Matters (this should be handed out for free in all schools, by the way!), The Graveyard Book and Coraline.

Complete with: Tim Ferriss interview with  Amanda Palmer (singer, songwriter, playwright, author, director, blogger, and Neil Gaiman’s wife); and Austin Kleon’s A Portable Routine.

Wondering where the post title comes from? It’s a line from one of Gaiman’s old notebooks that eventually become the beginning of The Graveyard Book; Gaiman talks about its genesis in the interview.


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